George Inness
1825-1894
George Inness Galleries
George Inness (May 1, 1825 -August 3, 1894), was an American landscape painter; born in Newburgh, New York; died at Bridge of Allan in Scotland. His work was influenced, in turn, by that of the old masters, the Hudson River school, the Barbizon school, and, finally, by the theology of Emanuel Swedenborg, whose spiritualism found vivid expression in the work of Inness' maturity. He is best known for these mature works that helped define the Tonalist movement.
Inness was the fifth of thirteen children born to John Williams Inness, a farmer, and his wife, Clarissa Baldwin. His family moved to Newark, New Jersey when he was about five years of age. In 1839 he studied for several months with an itinerant painter, John Jesse Barker. In his teens, Inness worked as a map engraver in New York City. During this time he attracted the attention of French landscape painter Regis François Gignoux, with whom he subsequently studied. Throughout the mid-1840s he also attended classes at the National Academy of Design, and studied the work of Hudson River School artists Thomas Cole and Asher Durand; "If", Inness later recalled thinking, "these two can be combined, I will try."
Concurrent with these studies Inness opened his first studio in New York. In 1849 Inness married Delia Miller, who died a few months later. The next year he married Elizabeth Abigail Hart, with whom he would have six children. Related Paintings of George Inness :. | Pines and Olives at Albano, | Early Morning, Tarpon Springs | Morgen | Over the River | Pines and Olives at Albano | Related Artists: h. olrikGeorge Bernard O Neill(1828-1917). Irish genre painter Santo Peranda (1566-1638) was an Italian painter of the late-Renaissance period.
He was a pupil of the painter Leonardo Corona and later Palma il Giovane. Also known as Santa Peranda. He painted a Descent from the cross for San Procolo in Venice. He painted The defeat of the Saracens for the Ducal Palace of Modena. He painted the Gathering of the Manna for the church of the San Bartolome. In 1623 he finished Glorious Mysteries for the church of San Nicole in Treviso. Among his pupils were Francesco Maffei, Matteo Ponzone, and Filippo Zaniberti.
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